Text description provided by the architects
Y Hotel, part of Aranya's mountain retreat in Sanya, is presented as the alternative Sanya the city had not yet shown: not the beachfront but a sheltered valley where rugged mountains screen the site from the heat and the crowds. Designed by WTD Design with interiors by Shangyi Yang, the hotel is buried into the north slope of the mountain district, its guest-room roofs brought level with the surrounding residential ground so that the building neither blocks views nor asserts itself; instead, the planted roof becomes a community garden. Across landscape, architecture and interior, the project subtracts ornament in favour of a restrained wabi-sabi quietness. At the entry, the team experimented for the first time with a broad palette of xerophytic plants: low-saturation grey-blue and grey-green succulents such as aloes, euphorbias and agaves, with artemisia and rosemary as ground cover, selected over eight nursery-selection rounds and coordinated through a 360-degree VR walkthrough, set in gravel and weathered boulders whose edges blur into one another like a natural wildscape. The main courtyard, on the building's lower ground floor and sloping gently southward, frames distant mountains as a picture; rather than place a single sculptural tree or boulder, the designers planted nineteen Melaleuca trees, their papery, peeling bark and slender grey-green leaves carried in by hand because crane access was impossible, arranged from denser to sparser down the slope. Ground cover, gravel and stones are composed to mimic natural wash deposits, with boulders placed as if tumbled from the mountain. The pool is equally restrained: after seven or eight material mock-ups, the bottom is clad in Siam White, a composite of Italian, Greek and Sri Lankan white marbles whose veining, once wet, grades through blue tones; wall stones were chosen only after testing dry and wet appearances, and fixed as dry-hung panels. Two mature frangipani trees give the pool court its sculptural weight. The result is pitched as a place that refreshes the conventional idea of Sanya beauty, giving Aranya's northern migrants a quiet room between sea and mountain.