Text description provided by the architects
Longfor Tianxi in Taizhou is a demonstration landscape by Daoyuan Design for Longfor Group's Zhejiang company and its landscape center, developed by Taizhou Longshang Real Estate in May 2022. Taizhou is known as a mountain-and-sea city, half mountains and sea, half prosperity, and the design team wants to carry that feeling into a city art gallery that catches light as it falls, built through refined material texture and minimalist spatial expression that returns to nature. Because the site adjoins the city, the design must screen out external noise, and it organizes an inward-looking outdoor art museum complementary to the architecture, using spatial progression and turning points to reach people's hearts and let art resonate in a realm of flowing light. The first movement, Seeking Light, is the flowing-cloud corridor: the building's modern linear vocabulary is treated together with the landscape to make a linear city frontage, layered feature walls and a refined entry interlock so that architecture and porch fuse into an enclosed, museum-like space, with a logo inlaid in vertical grille backing. Inside the porch, half-screened glass grilles frame the view, so that within a limited space tree shadows move across undulating ground and nature and artifice complement each other like the opening scene of a future life, and real and illusory reflect on feature walls. The second movement, Chasing Light, is the cloud-light water courtyard: walking through tallow-tree shade, water reflects the clouds; black-titanium-clad walls on both sides form a guided cascading water surface, as if walking on water, and pool-bottom materials shimmer like faint stars in a quiet sky. Light spots project branch portraits onto the feature walls, and flowing-light walls made of glass brick and custom stainless water-pattern panels layer the space. The third movement, Exploring Light, is the forested waterfall: a murmuring water curtain opens onto a hidden inner court of island woodland, tree shadows falling in the cascade as if slowing time; the heavy texture of natural stone beyond the water collides with lively ripples, and static and interactive water features set each other off like a three-dimensional painting. Looking back at the sales gallery, the view opens: still water reflects architecture and nature, borrowing outside scenes into the garden to set the tone of future community life. The fourth movement, Meeting Light, is the Man-Yue realm: relaxed booths extend interior space outdoors, with rock, tree shadow, cloud shadow and flowing water offering unbounded social comfort within a finite footprint, where visitors pause, gather and talk about the ideal community. In a city that has accelerated life and distanced people from nature, the project advocates a design in which modern art and natural landscape grow together, bringing nature into the community, art into quality and a refined, comfortable life.