Shenzhen ping mountain sculpture art creative park design

Shenzhen Pingshan Sculptural Art & Creative Park is located in an old industrial district with abandoned factories at the foot of Maluan Mountain, Pingshan District, Shenzhen. Covering an area of 30,000 square meters, this transforming culture park has become the new home for a number of creative studios and artists specializing in especially sculpture, painting, and calligraphy since the 2010s. In 2019, the architect was invited by Mr. Liu Xiaodu, the director of Pingshan Art Museum and Eastern Shenzhen Cultural Development Company, to renovate the public spaces of the park. After examining the site, it was clear to them that the park consisted of two distinct sets of spatial materiality that speak to the complex urban memories and the city s temporality. The northern part is composed of old factories with relatively large volumes that are mostly coated with white stucco, and decorated with black metal doors and window frames. While the southern area is constructed from a series of small-scale red brick houses and brick-paved steps hidden in the shade of trees. Responding to the clear demarcation between the old factories and residential buildings respectively scattered on the north and south sides of the main road, the architect proposed to create a main axis of public spaces in the center of the culture district given a fairly limited renovation budget. This design intervention seeks to provoke dialogues between buildings of diverse materials and scales through strategic and visual reconnection. An elongated pavilion made of red brick and black steel stretches across the entrances to three exhibition halls, and forms a continuous public corridor. The original roadside parking area was rearranged to the west side of the district, transforming the main street into a major public space for pedestrian activities. The corridor system also extends from the main street to the back street to provide guidance for the public to explore more while offering necessary evacuation passages for the old factory spaces. The renovation adopts a low-interference strategy which not only ensures the integrity of original building structures, but also allows the historical traces, such as the vibrant climbing vines and graffiti on the walls, to be preserved as much as possible. In the middle of the district stands an abandoned security guardhouse that has been in solitude for many years, and it was suggested to be demolished in earlier reconstruction plans. The architect proposed to preserve and revitalize this fragment of architectural memory. Therefore, a small art lantern was created using this aged building: the second floor could be used as a temporary exhibition space and the first floor as a visitor center open to the public for information release and beverage sales. The existing skeleton of the security guardhouse, being its walls, door, and window openings, is now preserved and clad in red cement fiberboards.