Text description provided by the architects
A thousand feet is potential, a hundred feet is shape, potential is prospect, shape is close view. Potential is the worship of form and form is the product of potential. Potential then tangible, tangible and then potential. The potential lives outside, while the form lives inside. At the beginning of the project, the next-door property with a distance of 300 meters had been sold for a period of time, forming a competitive state with our project. Therefore, the overall interface and momentum of the project needs to be relatively large in display and visibility. On the other hand, the huge volume and heavy format of the building also determine the initial temperament of the project. After the landscape intervenes, it mainly considers the status between the two houses (clubhouse and residence) and the garden. One is outgoing. Based on the north of the clubhouse building, the landscape highlights the client's solicitation and memory of the project. The refined hotel tactics strengthened the psychological cues before entering, cooperated with the gate, and looked inside, and the psychological changes emerged spontaneously. The other condition is after entering the site. The entire building glass is grounded, and the north and south need to be folded. Otherwise, the north side of the road and the south side of the building will be more awkward and negative. The two-entry garden is defined by two buildings in the north and south. At the same time, it is necessary to consider the use requirements of fire protection and unit entrances and exits. In the future, it is necessary to join the building roads on both sides of the east and west. These potential use requirements force the definition of the inner garden to be quiet and diverse., or just a kind of phase-less. Then the landscape should not be too light for the site, and too heavy for the building, the control between light and heavy and the state of the garden are the processes that need to be considered next. TAKE ADVANTAGE OF THE SITUATION 1. BORROW THE BUILDING With the main body (building), the cascading building controls the state of the upper façade. The landscape continues and refines the spatial state of the lower part. From the inner garden, it forms a horizontal effect regardless of each other. Inside and outside of the building. 2. BORROW THE SKY The layout around the building and the hollow inside makes the sky a landscape looking up from the bottom. We reflected the sky on the water surface in the inner court, so that light and shadow were projected on the water surface. 3. BORROW EACH OTHER Borrowing each other, the fractal wall not only defines the space but also plays a role. The dependence of the hills, the embracing of the veranda, the unfolding of the facade of the scroll, the opening and closing of the windows and the deformation of the space all rely on 11 The wall becomes complete and coherent. DETAILS