Text description provided by the architects
The entrance space of the exhibition area is equipped with dark gray stainless steel wrapped edge water board decoration project LOGO, forming the main visual focus interface to attract people to see and see. The occlusion of the two landscape walls with plant green "preliminary exploration" to form symbolic memory, strong declaration and soft implantation. Vertical and parallel space is formed between rationality and sensibility, layer by layer, providing different perspectives of "watching shows". The plants in the perimeter are mainly selected as blue mist, Mexican sage, Dawu wind-grass, Siberian iris, hemp leaf Zeland, etc., which are combined into a colorful natural flower landscape. Through the colorful colors, the noisy welcoming feeling is harmonized. The mysterious twists and turns, the changing colors, and the intricate space all mobilize people's senses, inviting them to enter this mysterious and melodious planting space. Step into the interior of the exhibition area at the corner, and enjoy a quiet negotiation space surrounded by a garden landscape composed of tallow, rosemary, Leymus, blue sage, hibiscus chrysanthemum, and jade cicada, etc., with built-in overlapping water, seats, water and color interaction, it is a medium of dialogue between reality and ideal, and the body and mind can be seen through light and shadow. It is an immersive feast of natural habitats that can be felt and touched. "Contemporary aesthetics mostly pursue the Morandi color system, expressing infinite yearning for elegant and fresh beauty. " In the flower landscape combination, we mainly choose the mysterious Klein blue with the advanced silver gray system, forming a romantic and vital "Morandi inflorescence", the integration of plant habitats, transforming the buildings, sites, Spaces and people in the scene into a whole or a kind of voice on the earth. Cut off the noise along the road and form an aesthetic garden can be punched at will, natural wild interest, rich and quiet. In the investigation of the site, we found that a high wall stands on the east side of the back court, which creates a strong sense of pressure on the narrow space and makes the experience of the audience in it unpleasant. For this reason, we thought about using the habitat language of "natural wild interest" in the front court to "outline" the space, using tallow branches in the form of art to penetrate the high wall and break the sense of pressure on the high wall, and natural wild scenery to break through the siege. Grow with abandon. PROJECT INFORMATION 10
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