Yangzhou Xinli Puyuan

Light and shadow in the box Introduction：non-visual minimalism If you like a city, it must have something to do with the local customs. The ancient city of Yangzhou has different meanings for all kinds of people. Some people love its fireworks in March, others indulge in its gentle rain, and some young city dwellers they turn Yangzhou into a hiding place where they can slow down the life’pace. The venue we design is based on this. The building is only 20m in depth from the boundary of municipal road, so the narrow and long space brings some limitations to the site. In addition, the area is limited by the current situation and construction, so the first feeling of the space is "curling up in a corner of the street with a very small posture". How to lengthen the space experience in the limited depth without losing the publicity of the urban interface is the main problem to be solved in the design. From：White square box to be opend As a display center based on the youth group, we hope to use the minimalist form white box to form a space full of insight and perception. Cube is not only a single and pure geometric form, but also the original form of architecture after the awakening of modern rationality. As a white box, it has the perfect two-way ability to build and be built. It can be understood as the smallest space unit, which subdivides the space by composition. In the square box, the order square symbols are multipied. Space has an emotional impact on people And reverse thinking Man plays a role in the construction of spatial sequence Limited space does not mean limited thinking Unlimited thinking affects N ways of spatial transformation Epidermis：quiet white translucent surface People's perception of space comes from visual cognition. Light and shadow are the visual basis of perceptual space. When the light and shadow overlap, different texture presents different feelings, and the perceptual part of space becomes more abundant. Just like the half virtual and half solid grille on one side of the pedestrian corridor and the white squares with rhythmic jumping, the light and air permeate and explore in or out. Time flows, sprinkle a mottled ground, telling the story of light and shadow. At the end of the corridor, a stone and a tree form a natural scene. The reflection in the mirror stone becomes a portrait. The cloistered path and the people on the way also becomes part of the picture. White grille, white wall tiles, lush branches and leaves, and the silent flow of water, light, nature, space interaction, from the visual shackles of the venue. Cladding is not the only cultural dependence, so it is very important to show the kernel in what form. Place：time memory We want pure tonality throughout. White is like some kind of metaphor of visual barrier, which keeps time memory. The cohesive space is like a "blind box" opened, which is an unexpected surprise. Water and shadow interweave, cold and hot alternately, as well as distant sound and inner recollection Activate everyone's inner emotions. The opening and closing of space is placed on the water surface The stars reflect the wider world Lines and light extend the space The restricted space seems no longer small It's about infinite possibilities