Jianfa Bookstore exhibition area

..... TUNG DESIGN：Impressions of Chongqing? A day in the morning, a thousand miles from the White Emperor, a day in the morning? Or is it: "At night, I send a clear stream towards the Three Gorges, thinking of you, I can't see you coming down to Yuzhou? The ancient charm of Bayu, the city of mountains and water...... This landscape painting is, as it happens, the way we live in it. Located in Chongqing, which was known as "Yuzhou" during the Tang Dynasty, the model area of C&D Shuxiangfu is part of the Shanan West Road. It has been a major water and land transportation hub since ancient times, with simple and ancient folk customs, and the buildings are scaled by mountains and water. The project site is bordered by the Jialing River to the east and has good landscape resources. The site is bordered by secondary roads to the east, green areas and a long term residential area to the south and feeder roads to the north. It is designed to create an ideal place with the cultural and natural characteristics of Chongqing city, following the example of Suzhou's "Ke Yuan", which is the only existing scholar's garden in Suzhou. The name "Three Sounds Garden" is also derived from this, that is, "the sound of wind and rain, the sound of reading, the sound of reading". The pond is in the center of the design, the layout is sparse, the threshold is curved and the corridor is returned, the water and wood are bright and clear, and the garden is open. The word "water" is interesting, and when you open the garden door and step into the foyer, you will see a vast blue water. The space is divided into three parts: "Qing Yun Steps", "Three Sound Garden" and "Water of Cang Lang"...... The gateway to the old end of the mountain, the breeze is hard to climb, the gateway to the deep, inexhaustible oriental meaning. Courtyard, luxury like poetry...... The plaza is flanked by gravels combined with micro-terrain lawns to create a dry landscape, and a plunge in the central axis to enhance the sense of spatial experience. The aesthetic proportions of the site are carefully carved, highlighting the symmetry of the axis, and the meticulous stitching of the superimposed waterscape wall, which presents a smooth and even outflow, accompanies the residents to return to the auspicious steps. The Summer Mountains is an ink and wash pale colour painting on silk by Dong Yuan, a painter of the Five Dynasties period. The summer scene, with its lush peaks, clouds and trees, is a good time to read. It is the ideal place to live, as the landscape unfolds through the staircase, with chic houses hidden among the trees and stones as far as the eye can see. The breeze and moon are priceless, the water and the mountains are all loving. The pond and the mountains are cut and built to create a three-dimensional landscape painting with infinite meaning. Returning to the Church The form and relationship between the courtyard patio and the rooms in the courtyard is a form of courtyard, showing the beauty of the Chinese courtyard, the four waters return to the hall, the sun and the rain, and the four seasons are scenic. When it rains, the rainwater drips from the eaves onto the ground forming a pattern of confluence and encirclement, and the wealth of the four directions flows continuously into the courtyard walls like water from the sky. The corridors and patios are interspersed, the pavilion is situated near the water, and the view from the heights, surrounded by piles of Taihu stones and pools, allows you to enjoy the interest of the landscape and the quietness of the garden. The space is a rich and varied one, with an orderly opening and closing. The carefully constructed space also gives a sense of 'something else'. As it emerges, a winding promenade lingers along the wall and the lakeside. It is inspired by the philosophy of the Suzhou gardens, with the terrain undulating, and the sparse paths reflecting the light and shadow to capture the richness of the garden's interest with one step and one deep courtyard. When the candle is adjusted, the axis is correct, and when the steps are level, the star of virtue hangs. A special feature of the design is the staircase leading to the first floor, which adds richness and interest to the space. In the Song Dynasty, Shi Shaotan's "Fifty-five Songs of Praise to the Ancients" (one of them) "In spring there are a hundred flowers and in autumn there is a moon, in summer there is a cool breeze and in winter there is snow. If there are no idle matters on your mind, it is a good time on earth" The garden's window panes and cavernous doors reveal a hazy beauty between the hidden and the exposed. Turning into the small courtyard, the green tiles and white walls, the grass and trees are elegant and leisurely. The poetic and cultural connotations of the plants and the rocks in the courtyard blend together to reveal the beauty of the East in every object and scene. The bright moon shines between the pines, the clear spring flows on the rocks. The pomegranate smiles, the book is read, the garden is optimistic, the mountains and the water are elegant. Sitting in the sales office looking out of the window with the clouds and fog is a unique experience. In the Zhuangzi - A Journey to the End of the World, the pavilion, placed at the water's edge, is exquisitely beautiful and colourful. The elegant and compact architectural form plays an important role in the overall layout of the garden, borrowing scenery, grouping scenery, naming scenery, leading scenery, framing scenery, and increasing the interplay, contrast, reflection, transformation and penetration between scenery. They are integrated with other buildings, landscapes and greenery in the garden to form an enchanting landscape. A pine ravine and a clear spring, with rocky outcrops, a pool of blue water in front and a pavilion standing on its own beneath three pines; deep behind the pines, a stone bridge stands above the spring waterfall, seemingly a landscape painting. As the saying goes, "a landscape with a sense of mystery is more attractive than a landscape with a sense of mystery". The design makes use of rockeries, corridors, windows and architectural pavilions to link the park's scenery, and the use of vegetation to conceal them, creating a sense of mystery in the garden landscape that makes visitors want to explore. Above the lakeside, an arched corridor bridge becomes a poetic image to be enjoyed exclusively on the other side of the lake. The design uses a combination of the red-across-green corridor bridge in the courtyard of Yu Yin Shan Fang, one of the four major gardens in Lingnan, and the small flying rainbow corridor bridge in the Humble Administrator's Garden in Suzhou, so that there is a view from every angle when standing at the bridge. The pavilions, corridors, bridges and pavilions appear one after another in the courtyard, forming a complete and lively water garden. The water is piled up with rocks, and the rocks are configured with delicate plants to create an exquisite courtyard of natural and wild interest. The garden is surrounded by water, and the fragrance of the garden is interesting at every step. The pond's water is clear enough to wash my tassels, and the reflection of the fish in the south pond is a beautiful image. It is a place where you can feel a transcendent state of life. The piles of rocks are stacked on top of each other, drawing on the principle of "three distances (i. e. high, far, deep and flat)" in traditional Chinese painting, and choosing stones with good posture, good texture and large volume to be the closing stones to achieve the effect of rich layers and deep scenery. The window is the eye of the garden. The window is also the garden of the mountains and the water, the flowers and the trees, and once it is in the window, it becomes a picture of its own. The window frame is used to float in and out of the garden, and the elegant interest flows in and out of the wall, creating a wonderful atmosphere of separation without obstruction.